M IBURG STRATIFIED RIM TSUBO JAR LARGE #04
USD 1,680.00
Artist_Mitch Iburg
Material_Clay, Sands, Minerals, Ash-glazing, Anagama Fired
Origin_USA
Period_c2000s
Dimensions_W40cm D38cm H33cm
Additional Note_Artist’s stamp on the underside
Product Number_#0106
Artist Profile_Mitch Iburg is an American ceramic artist based in Saint Paul, Minnesota. His studio practice is influenced by the earth’s geological record - specifically, as a manifestation of its ability to remember, rewrite, and inevitably forget the history through which it was formed. The artist translates this concept into his work by using foraged clays, stones, fossils, and glacial debris to re-frame the volcanic eruptions, ancient seas, and ice sheets that have shaped the landscapes around him. Researching the diversity of Minnesota’s geological past has inspired a way of making that both embraces and challenges conventional ceramic traditions. In an effort to promote various materials along a spectrum of art forms, Mitch’s work frequently shifts between vessel, sculpture, and two-dimensional formats. Each body of work conveys a unique dialect within the larger language of geological history. Collectively, he views each series as a specific resolution to the tension between artistic intent, ceramic tradition, and the intrinsic properties of natural materials. Various clay, stones and minerals are extensively researched and tested before being blended together to arrive at a finished product that conveys the expressions of his natural surroundings while still fulfilling the requirements for basic utility. Each piece is thrown by hand on the potters wheel. Once trimmed, multiple layers of clays, minerals, and vitreous sands are applied to achieve a surface that conveys history and depth. After firing to 2250 F. / 1232 C. each piece is hand polished with diamond pads until the texture of water-worn stone is achieved. Unless noted otherwise, each item is food safe and water tight. Hand-wash only. “Although all materials are sustainably collected with landowners’ permission, I recognise that my practice takes place on territory stolen from Minnesota’s Indigenous peoples. I respectfully acknowledge the Dakota and Anishinaabe peoples as the rightful owners and original stewards of the land on which I work”.